Feature film based on a Russian fairy tale. A smart but lazy farm boy is sent to fetch water by his mother. He catches a magical fish that promises to grant his every wish if he gives him his life.

Mitya Klimov is a student of Stroganovka. In his free time, he moonlights as an instant artist (portrait in a minute). He accidentally meets a lovely girl Lena, whose portrait he painted on the street. Their next meeting took place in the gallery of his father, the famous artist Yuri Shamanov, where the birthday of his sister Natalia was celebrated. At the time of the trip, Mitya, entering the utility room, saw the corpse of Jeanne, Natalya’s girlfriend, and then he himself received a blow to the head ...

Charlie, a talented student who dreams of performing, is forced to abandon the lead role in his school play when his father prioritizes academic success over his passion.

A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.

A jester costume worn by dressmaker Dolores comes to life when she is diagnosed with breast cancer. Haunted by the gloomy jester, Dolores tries to maintain her normal life and vehemently refuses to tell her family about the diagnosis.

The Fool (2018) reclaims Ray Comfort's "Banana Man" mockery as bold evangelism. After Richard Dawkins ridiculed his intelligent design banana analogy, Comfort turns infamy into Gospel outreach—documenting street preaching, atheist confrontations, and Psalm 14:1 truth ("The fool says in his heart, 'There is no God'"). This isn't damage control for a "horrible analogy"—it's unashamed Christian apologetics celebrating ridicule as witnessing fuel. From Living Waters: defends creation, exposes unbelief, urges repentance. Pure faith-affirming testimony, not atheist gotcha.

The Fool gives a toast.

A country girl weds a socialite and leaves him to return to her own class.

Gloria, the daughter in a wealthy family, has finally spent most of her father's money. She marries Tony, whose as much of a reckless spendthrift as she is, and they continue indulging themselves. Tony's wealthy grandfather Adam Patch dies, but to their surprise he leaves Tony nothing. The couple try their hands at actually working for a living, but they don't like it and return to their spendthrift ways. Something has to give, and it soon does.

David Conrad is a college professor and sometimes philanderer raising three children in a small Kansas suburb with his wife Kelly. When sudden tragedy strikes the family in the days before Christmas, David and Kelly's marriage is brought to its breaking point and David's desire for retribution leads him into uncharted moral territory with the question: what can we forgive?